A nostalgic and experimental tone pervades the new film by Portuguese director Rita Azevedo Gomes, who in 2024 returned to Greece accompanied by five young people to relive a personal experience that had taken place 17 years earlier, when the diagnosis of a terminal illness changed her life. The story, which takes its title from a poem by João Miguel Fernandes Jorge -himself inspired by graffiti- deliberately distances itself from conventional structures of contemporary cinema. Instead, it relies on the integration of dance, music, and ancestral traditions to unfold an original audiovisual choreography that becomes a rewarding exercise in creative freedom.